![]() Usually reserved for dark dives like Hole in the Wall, the ACL first-timers caffeinated a mishmash crowd of families, teenage techno-goths, and elder hippies at the barricade. Likely the earliest time Austin punks Die Spitz had ever set fire to a stage, the quartet kicked off under the Tito’s tent at 11:45am sharp. Leading up to an exhilarating guitar solo, festivalgoers echoed the bridge, sinfully eager to accelerate into “eternal damnation.” – Angela Lim Die Spitz’s Morning Mosh Pit “This song is for the queers, and we’re gonna give it to them good,” she smirked. Despite choreography throughout, the songwriter’s sharp vocals remained unscathed, and her fearless, towering ad-libs illustrated control and range with “XS.” Donning a crimson bodysuit, cowboy hat, and boots for “This Hell,” the 33-year-old John Wick 4 actress lassoed the crowd with an Austin, Texas-exclusive call and response competition. When she sang “Elevate your vision when you put me on the cover,” the screen flashed her image on British Vogue in all black with gravity-defying hair and elongated fingernails (“Comme Des Garçons ”). Enhanced by numerous outfit and set changes, the Japanese British artiste crystallized her avant-garde universe within 12 songs, screaming over a slew of hyperpop that teetered between dreams and reality (“Imagining”). Rina Sawayama’s 56-minute production on the Honda stage embodied a coming-of-age dichotomy, mourning and comforting her younger self in a white dress one moment (“Hold the Girl”) and releasing a rush of nü metal rage the next (“STFU!”). – Kevin Curtin Rina Sawayama Emboldens Her Avant-Garde Pop “This is my favorite part of the show,” he said of sourcing two cowboy hats from the audience and singing his 2023 hit “Texas,” where he pantomimed riding a hobby horse while extolling Lone Star culture and shouted out Z-Ro, Beyoncé, Trae tha Truth, Devin the Dude, and Luka Doncic. Plastic production mixed the studio vocal tracks so loud that the deep-voiced rapper could miss a line and it was barely noticeable, but that mattered little in this feel-good scene. When the hype man yelled “Do your dance BigX!” he wiggled delightfully with index fingers extended. Thematically it was largely switches and street life, but in terms of vibe, it was smiles and strutting. The shirtless Dallas lyricist – with the 214 area code tattooed on his sizable belly – appeared amused by the action during a set ready-made for this kind of environment. ![]() ![]() ![]() A large, undulating mass of poofy-hair-on-top Caucasian high school kids absolutely went off in a Saturday morning mosh pit that intensified everytime the rapper’s DJ yelled “3-2-1,” which happened at least twice per song. In the inevitable role of being the first act of the day on the biggest stage at a festival, BigXthaPlug thrived. ![]()
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